3,843 Royalty-Free Audio Tracks for "Open Tuning"

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

*Pythagorean diminished fourth on C = F♭-- (Ben Johnston's notation). 8192:6561 = 384.36 cents. Limit: 3-limit.

*Major limma (135th harmonic) on C = C♯+ (Ben Johnston's notation). Just: 135:128 = 92.18 cents. Limit: 5-limit. MIDI pitch bend: 64,61

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*Eleventh harmonic on C = F↑ (Ben Johnston's notation). 11:8 = 551.32 cents. Limit: 11-limit. MIDI pitch bend: 54,80

*Just augmented sixth on C = A♯. 125:72 = 955.03 cents. Limit: 5-limit. MIDI pitch bend: 78,49

*129th harmonic on C = C (Ben Johnston's notation). Just: 129/128 = 13.47 cents. Limit: 43-limit. MIDI pitch bend: 40,68

*Just augmented seventh (125th harmonic) on C = B♯+++. 125:64 = 1158.94 cents. Limit: 5-limit. MIDI pitch bend: 110,50

*Tridecimal neutral sixth (Thirteenth harmonic) on C = A13♭ (Ben Johnston's notation). 13:8 = 840.53 cents. Limit: 13-limit. MIDI pitch bend: 124,76

*Neutral seventh on C = B. Equal-tempered: 21050/1200=21/24:1 = 1050 cents. MIDI pitch bend: 0,80 Preceded by:

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

*Just major third on C = E. Just: 5:4 = 386.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 A M3 with pitch bend on 79,59 for about 386.31 cents rather than 400.

*19th harmonic on C = E19♭. Just: 19:16 = 297.51 cents. Limit: 19-limit. MIDI pitch bend: 26,63

Johann Sebastian Bach, Aria, Goldberg-Variationen, well temperament (Werckmeister III), Digitised Harpsichord (Yamaha Clavinova CLP-470) Johann Sebastian Bach, Aria, Goldberg-Variationen, wohltemperierte Stimmung (Werckmeister III), digitalisiertes Cembalo (Yamaha Clavinova CLP-470)

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 03 Prelude No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 04 Fugue No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 03 Prelude No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 04 Fugue No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 21 Prelude No. 11 in F major, BWV 856

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 22 Fugue No. 11 in F major, BWV 856

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 22 Fugue No. 11 in F major, BWV 856

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 19 Prelude No. 10 in E minor, BWV 855

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 40 Fugue No. 20 in A minor, BWV 865

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 37 Prelude No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 10 Fugue No. 5 in D major, BWV 850

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 38 Fugue No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 17 Prelude No. 9 in E major, BWV 854

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 37 Prelude No. 19 in A major, BWV 864

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 30 Fugue No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 11 Prelude No. 6 in D minor, BWV 851

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 24 Fugue No. 12 in F minor, BWV 857

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 09 Prelude No. 5 in D major, BWV 850

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 11 Prelude No. 6 in D minor, BWV 851

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 09 Prelude No. 5 in D major, BWV 850

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 23 Prelude No. 12 in F minor, BWV 857

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 12 Fugue No. 6 in D minor, BWV 851

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 23 Prelude No. 12 in F minor, BWV 857

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 29 Prelude No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 29 Prelude No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 18 Fugue No. 9 in E major, BWV 854

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 46 Fugue No. 23 in B major, BWV 868

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 17 Prelude No. 9 in E major, BWV 854

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 40 Fugue No. 20 in A minor, BWV 865

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 24 Fugue No. 12 in F minor, BWV 857